006/surf/skate/snow/faith


Cuba Editor Mike Fordham and Deirdre O’Callaghan take a trip to Cuba to investigate the relationship between Truth and Faith


Whack Poetry The Creator has a Master Plan


Mathias Fennetaux shoots contenders of the World Cup at Tignes


Kevin Zacher in Argentina where the snow comes twice a year 


Viddy secrets of how the imagery in the magazine was made

/ cover story /

adrenalin 006 / Cover
pages 001
images chicken foot scanned on Linotype Hell  / artist Mickey boy G

 

 

Inspired by Cuban Santería use of ebbó offerings, I visited a Hounslow butcher to buy a chicken’s foot which, after wrapping in black paper ribbons, I scanned on my Linotype Hell. In a reversal of my disbelief of superstition I kept the offering recently finding it 20 years later, perfectly preserved and still warding off malevolence.

/ land of silver /

Lifestyle photographer Kevin Zacher travelled south to Argentina from his home in Arizona with the words of Jorge Luis Borges in his mind to take advantage of the fact that the country gets two snow seasons every year.

“Do you want to see what human eyes have never seen? Look at the moon. Do you want to hear what human ears have never heard? Listen to the birds cry. Do you want to touch what hands have never touched? Touch the earth.”

/ whack poetry / the creator has a master plan

adrenalin 006 / Whack Poetry
pages 032-033
song The Creator Has A Master Plan by Leon Thomas & Pharoah Sanders / artist Hayes Hopkinson

/ mother of invention /

adrenalin 006 / Black Metal White Lies
pages 136-137
images video still / artist Mickey boy G

The quest for evocative imagery that cost nothing was always a factor during most of my tenures working for independent publishers. One of the things I loved to do was use stills from footage shot on a digital video camera we had. Subjects could be shot whilst moving and the still would take on a life of its own without the need for any post-production.
At the time of this issue I was living in a big house in Hounslow with half a dozen young music students. It meant that I spent a lot of time using the Piccadilly Line on my journey to adrenalin’s Docklands office in the east and, lulled by the motion, many times on my way back west I would fall asleep and wake up at Heathrow where I’d just have to stay awake long enough for the train to return around the terminal loop on its way back to Hounslow.
The house-mates included fellow Lowestoft resident Andrea Goldsworthy (an unrivalled funk-master currently playing bass with Paloma Faith) and sporting an early version of her now ever-present fringed hair style she agreed to model for this black metal editorial image which was aided and styled by our friend and glamour puss Natalie Monroe.

/ cuba /

Regla de Ocha

After a feeble but very eloquently presented outline of Cuba’s devout adherence to both ideology and religion our editor swanned off on a trip around the globe which probably used up two thirds of our entire paltry budget. Fortunately he was able to convince one of the world’s greatest photographer’s, Deirdre O’Callaghan, to go with him. But as always, he pulled it off and they both brought back some priceless content.

/ ensayo fotográfico /

Issue 006 is dominated by the remarkable work of visual artist Deirdre O’Callaghan, this short photo essay by her perfectly embodies both the country of this issue’s focus, and her own unique aesthetic approach to photography.

/ democracy /

_Democrac-

y /

adrenalin 006 / democracy feature
pages 100-103 /
 Words Michael Fordham /
Photography Deirdre O’Callaghan

Take a Caribbean paradise, add the counter-cultural chutzpah of its pariah status; throw in ubiquitous revolutionary iconography and finish with a generous dash of easy sex and cheap cocaine! The perfect post-modern retreat. Cuba is experiencing the biggest tourist boom since the explosion of the Southeast Asian travel market during the Eighties. Gap year dharma bums in Thailand begot an entire corrosive culture. It remains to be seen what the tourist dollar will do to Cuban identity.
The hulking Chevies and Cadillacs which ply from point to point are from an age of illusory innocence. They are echoes of an erstwhile decadence which survives as the essential texture of Cuban identity. They are mobile, barely rusting monuments to the Cuban love of Americana, wrought in genuine Detroit steel.
There are frozen tableaux of the years of conspicuous decadence everywhere. But the day-to-day reality of most people’s existence is a rice-and-beans, tobacco-and-coffee shrouded queue for soya to make smoothies for much needed protein.
There is, of course, the fabled revolutionary infrastructure. There is extensive, accessible education of good quality. The lights work, as does the sewage system. A minor miracle for the poor Caribbean. Cuba’s is a very photogenic pathos. And though this is an unbranded city, its very substance is becoming its own eminently marketable brand.
We are here as part of the process. No one really knows where it will all lead.
Cuba represents an incalculable square-acreage of empty advertising space. The country is devoid of the semiosis of profit, although its graphic language has been recuperated for the revolution.
Modernist monuments of boom years have decayed by time and circumstance into something resembling tragedy.
‘We will continue our struggle’. The most telling of statements I hear in the first 24 hours in Cuba. Many of the Cuban people, particularly the older generation, see themselves as last bastions of sanity in a crazy world. Thing is, that in the process of the revolution they have created what at times appears to be one of the craziest political situations possible.
What is it Mr Spock said? In an insane world the logical man is the true outcast.
We hear a lot about the Truth in Cuba. Intertwined with La Revolucion is a deep spiritual thread, a texture of belief displaced and projected at the most unlikely symbols.
These photographs were shot on the day of the Yanqui lections. Waiting to leave the city, crashing through potholes and crevasses disguised as streets dotted with colour-coded modernist blocks and eminently skateable surfaces, though bereft of the smooth surfaces necessary for skating. Pushing out into the hinterland, the billboards show us that the graphic creativity of a nation is focused deeply on revolutionary propaganda.
Out into the flat, lush centre of the country, Camaguey and other central cities. Hitchhikers at every junction, rattling trucks laden with passengers, peasant workmen and wives, fruit trucks crashing through this hot, humid November. Somewhere North of here the failure of the founder of democracy is in progress and we watch while the pariah carries on regardless.
Rada, a pink clad transvestite demanded we take her picture. What do you think of the American elections? I ask her. “Stupendous. Fantastic. But Bush is better. .. “


Cubans may or may not quietly relish their nation’s pariah status. It has sustained them all along, through really hard times. But whatever their opinion, the outcome of these elections are truly significant; with Fidel ageing day by day a generation of Cubans newly-exposed to tourism are turning to the West again for their cultural aspirations. But very few of the populace recognise, or at least admit to the fact of the changes the tourist dollar is bringing.
Just outside the city itself, pushing on past Alamar, we reach a Santa Maria Del Mar where, it is rumoured, their is good surf. A postcard-turquoise ocean set off against the white sand and the deeper shade of sky is all around us. Bronzed Italians, their sunnies strapped into black speedos, facial beavers and gold jangling, eye up the hos who populate the beach. These are the only Cubanos allowed at the coast, and sure enough, just up the way is an observation post, where two paramilitary plod with powerful mounted binoculars perve at some distant punanni. They’re serious about their jobs, though, and while this is a truly beautiful beach, where according to reports, there exists a zipping right-hand wave when the swell and wind is just right – the grey berets spoil the view. And it’s as flat as a gringo’s tit. Ninety miles to the North Florida saunters to indecision. Cubanos meanwhile ain’t allowed to be too close to the coast, in case they decide to break loose and head for the horizon.
Candy-coloured hotels and modernist projects punctuate the flat land of the centre. We spend the day pushing through single lane tracks negotiating the six hundred miles of fifty ton trucks with no tail lights, blasting Salsa through dusty towns, avoiding schoolgirls and their packages of books and satchels of sweeties. There are papaya stands where they make smoothies, but you have to call it fruita de bomba, because papaya is the word for pussy. And you have to know that everyone likes pussy in these parts …

/ tignes spirit /

Blurring the lines between fashion and reportage photography, Frenchman Mathias Fennetaux visits the snowboard World Cup in Tignes to shoot the competitors doing their thing.

/ a miscellany /

A selection of pages from the sixth issue of adrenalin. 

Herringfleet Mill

Back when I was a kid before I discovered punk rock, the family drove to this wonderful place a lot. I would chase grasshoppers and throw flea darts at my brother, dad birdwatched across the wetlands through his U-boat binoculars and mum would sit down and rest after carrying the picnic all the way from the car through the woods, over stiles and down to the riverside on her own. There was usually a whole roast chicken on a plate wrapped in tin foil and we all had our own plates and cutlery too.

HerringfleetWindmill

Snape Maltings

The fact that a world famous homosexual composer of opera came from my home town frequently gives me pleasure and optimism. Like The Borough’s Aldeburgh fisherman Peter Grimes, Benjamin Britten also sought solace from all the wagging tongues and pointed fingers.
In 1966 he found it just up the river Alde at Snape in a disused maltings complex that within a year he had expensively converted into a purpose-built concert hall in which he and his lover, singer Peter Peers, could hang out in privacy whilst rehearsing, developing and performing new works. The hugely popular Aldeburgh festival has been held here since its completion in 1967.

SnapeMaltingsNewScan